Reverie' song for piano and voice words by Albert G. Dawes; music by Alexander Rea Marked 'Entered at Stationers Hall' (historic Australian censor & patent office)
著者: Words by Albert G. Dawes; music by Alexander Rea (1831? – 1909)
The galop from the operetta Geneviève de Brabant by Jacques Offenbach, transcribed by John R. Bourgeois, and played by the United States Marine Band under Bourgeois's direction. This piece is an instrumental version of the "Gendarmes' Duet", and formed the basis of the "Marines' Hymn".
著者: Composition: Jacques Offenbach (1819–1880) Performance: United States Marine Band
The President's Own United States Marine Chamber Orchestra performs Max Bruch's Kol Nidrei, Op. 47 on March 3, 2013 at the Rachel M. Schlesinger Concert Hall and Arts Center in Alexandria, Va.
著者: Composition: Max Bruch; Performance and recording: United States Marine Band
Henryk Wieniawski's Violin Concerto No. 2 in D minor, Op. 22, III. Allegro con fuoco performed by the United States Marine Band on Jan. 5, 2014, at George Mason University's Center for the Arts Concert Hall. Col Michael J. Colburn, conducting. SSgt Karen Johnson, soloist.
Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.
Example of atonal music which avoids octaves, avoids major and minor triads, avoids more than three notes from the same diatonic scale, and avoids conjunct melodies/uses disjunct melodies. From Schoenberg's Klavierstucke, Op. 11, No. 1.
